MUSCLE UP !!!

I’ve had a few emails asking whether I’m still alive or not… Yes. I’m just massively involved in an exciting photographic project at the moment, which has taken alot of time away! But here’s a cool shot I took for ‘fitness industry promotion’ purposes of late. Steely determination, muscular definition, iconic stance, menacingly engaging eye-contact… simple yet effective! Thanks to Jay Revell, a consummate pro in front of the camera – follow him at his twitter here!

Shot on a Canon EOS 5D mk3, 24-105mm lens at 88mm, f 7.1, ISO 160, 1/60 sec.

PORTRAIT IN LANDSCAPE ?!?

This weekend, I was working on a project for a fitness blog for which I’m chief photographic button-pusher (and on which I’ve based the design for this very blog – check Fitness On Toast out here!), and decided to take some shots in the studio for the occasion. The project itself involves ALOT of photoshop perspective-work, ‘visible darkness’ as I call it, and will resemble an iconic pop culture shot – exciting, can’t say more than that at present, partly because it’s not nearly complete! But between shots, I thought it was time to go portrait – in landscape orientation, which I find can really add to the dramatic width and perception of space, as well as focus the eye ever more on the subject. I loved the honest and vulnerable puzzlement in this shot – it just connected with me, so I thought I’d share it with the world. There you go world. Enjoy!

Shot on a Canon EOS 5D mk3, 17-40mm lens at 105mm, f 6.3, ISO 100, 1/40 sec.

PARK IT UP !!!

Sun + London = Park. The beauty of shooting into the sun is the sharpness and contrast that can be carved out. Subtly filling the shadows with an EX430 flashgun (no diffusion required), with only a polarising filter to eliminate the glare and enrich the sky, I really like the effect of this one. I think it convincingly draws the eye to the subject – as if the eye needs help!

Shot on a Canon EOS 5D mk3, 17-40mm lens at 17mm, f 20, ISO 320, 1/200 sec

BARRY SHOOT PHOTO ???

I recently did a few shoots for the hugely popular US fitness institution that is Barry’s Bootcamp, which has just landed on our shores from LA & New York. Based opposite Euston station, “the best workout in the world”s appeal is to burn 1000 calories in 60 minutes with a mix of cardio uphill sprints and dumbbell/resistance work, whilst you’re commanded by beautiful young superstar trainers, like Anya here (more images to follow of some of the others uber-trainers – this is just a first installment!). The class costs a mere £20, there’s no membership fee, and their ‘fuel’ smoothies are out of this world!

The above shots were taken at my studio with the Lastolite heavy duty vinyl backdrop, my 3-point strobe rig, and the ever trusty Canon EOS 5d mk iii, 24-105mm lens at 105 / 70mm, ISO 160, f 9.0, 1/60 sec.

THE VERY ANTITHESIS !!!

I recently did some work with a very cool east-London clothing brand, Antithesis, run jointly by Zahra Ash-Harper and Renée Lacroix. They’re big on their multi-functional and modular pieces and I had the pleasure of shooting the look-book for their second collection (entitled Globe-strutter), working with the awesome Kirsty-Anne Tritton, pictured above (you can check her out on her blog 5Feet10). The shoot also involved a tiny bit of ‘ghost mannequin’ photoshopping work, as per the screenshot from their e-store, below. Look out for these guys in the future – big things ahoy!

All shot on a Canon EOS 5D mk3, 24-105mm lens at 70mm, at various F numbers, ISO 160, at various shutter speeds.

 

FUN IN THE SUN

Two together

Now that the sun is out in London, family photography is a suddenly in-demand genre to practise! This weekend was treated accordingly with this set of images for a very happy family!

All shot on a Canon EOS 5D mk3, 70-200mm lens at 200mm, all at f 4, various ISOs, various shutter speeds.

izzy
josh

CHARITY STARTS AT ST. PAULS !!!

I did some work with a great and hugely deserving charity recently, Street Child World Cup, who’s work ensures that marginalised children living on the streets in the football World Cup host nations aren’t just swept away as an inconvenient mess on a suddenly-scrutinised cityscape. They host a huge footie tournament of their own for the children, along with a conference, both just ahead of the world cup itself. And they’ve had top-end endorsement from the likes of David Beckham, Pele, Alex Ferguson, Desmond Tutu, Gary Lineker, David Seaman, Eduardo, Shevchenko and heaps more! Expect to hear alot more about them as we head into Rio 2014.

This shot was taken on the steps of St. Paul’s Cathedral, hosted by the Bishop of London, the Right Rev Richard Chartres, pictured in ecclesiastical garb, centre, along with some local school children keen to promote the cause! I took some traditional ensemble shots, but didn’t like the lack of edge, angle, vitality that seem to me the whole point of what the charity exists for. So I decided to play around with the perspective and angles slightly. I had to rely on my 5km-long diffuser (the cloud cover) to provide lighting on this freezing winter’s day, but I think it did the trick! I love the imposing Corinthian columns of the architecture, set against the imposing stature of the group, and the starkness of the Bishop’s crosier. This is the shot they went with in the end 🙂 

WATCH OUT BEHIND YOU !!!

In the Alpine mountains, when the sun’s shining in Spring time, there’s nothing better than finding a dramatic glacial gorge to set a portrait against. The sumptuous f7.1 bokeh of the 200mm L-series lens gives just enough detail to make out the imposing contours, but not too much that it distracts from the sharply contrasting foreground of the skier. Also I felt like some negative space would work well on the left 2/3 of the shot to liven things up a bit – why not?! Great fun to shoot (though a real pain to get the camera and lenses up there!!!)

Shot on a Canon EOS 5D mk3, 70-200mm lens at 200mm, f 7.1, ISO 100, 1/500 sec

YOU MAY KISS THE BRIDE…

Feeling romantic? These two were. Last September, I shot a wonderful wedding in the most grand and elaborate gothic setting… but there are times when the location plays second fiddle to the main event, the bride & groom kissing to seal their marriage! Ahh.

Shot on a Canon EOS 5D mk3, 70-200mm lens at 200mm, f 4.0, ISO 3200, 1/60 sec

SEA SAW !!!

Since it’s 3 degrees and rainy today in London (spring?!), here’s a shot I took of the Tel Aviv skyline looking back from Jaffa in the summer. I captured it using the mild/natural HDR settings at +/-1EV. There are various lead-in lines going on, not sure whether any of them work necessarily, but I do especially like the sea-haze that’s rolling in from the ocean, and the disappearance of the ‘skyscrapers’ which skirt the shore line. At least it makes me FEEL warm!

Shot on a Canon EOS 5D mk3, 24-105mm lens at 24mm, f 11.0, ISO 100, 1/125 sec

JUST GRIN AND BEAR IT !!!

Meet my test model, Bjorn. Whenever I get a new piece of equipment, this little guy gets to try it out first, from the other side of the camera! It might look like Bjorn is photographed here on an arctic snowdrift, but no, that’s actually just a white chair. And no, Bjorn can’t jump, so he’s not mid-air here, just resting himself on the top of the chair. This was just a test for a new strobe I got. No need for technical details, but in short, he did the job as ever 🙂

Shot on a Canon EOS 5D mk3, 50mm lens at 50mm, f 1.2, ISO 500, 1/40 sec

GROOM YOUR HAIR !!!

A bit of wedding photography never goes a miss. Especially when the groom is getting into his uncle’s vintage Rolls-Royce 1959 Silver Wraith, which seems to be a giant soft-box / light trap on wheels. This was such an easy environment in which to capture some iconic shots of both bride and groom, in a flattering, uplifting light – enabling some optimistic, high key images of classical wedding splendour! Their beaming emotions help out a bit too 🙂

Both shot on a Canon EOS 5D mk3, 24-105mm lens at 105mm, f 4.0, ISO 160, 1/100 sec.

WAKE UP AND SMELL THE BOUGANVILLA !!!

A visit to Ibiza is never mundane. I took this shot in the tranquil nature-Spa of Atzaro, where orange tree meets both Buddha and house music. I particularly like the vibrant lilac canopy of bouganvilla, the intense green of the reeds, and the intersecting diagonal path. Also there is a sense of humorously playing with proportions here; the flowers, their stems, their reach and projection of the branches, are all seriously outsized relative to the girl. It’s like a ‘glam-chic’ version of Alice Through the (Mediterranean) Looking Glass. If nothing else, it just makes me smile 🙂

Shot on a Canon EOS 5D mk3, 24-105mm lens at 55mm, f 5.6, ISO 100, 1/250 sec.

SEA WHAT I SEE ???

My attempt at a self portrait. On the coast of Murcia last year, I saw this decrepit ‘marine’ pillar, and could only imagine someone perched on top of it. So I deployed the Manfrotto Xprob 190 tripod, set the camera timer to 10sec, minimised ISO, (relatively) maximised F-number, and let the rest happen by itself! Pretty tranquil results I think – I particularly like the contrast of the choppy seas and the serene, milky, flawless sky. If only I’d had my ND-8 filter, I’d have tried out something altogether more blurry!

Shot on a Canon EOS 5D mk2, 24-105mm lens at 55mm, f 13.0, ISO 100, 1/500 sec.

LIGHT IT UP !!!

During a recent corporate video shoot, I got a chance to play around with some of the awesome lighting kit on hand, and trial it out for portrait purposes. I think that by far my favourite were the fluorescent products from Kino Flo – yes, their Diva-Lite 401 product. For this shot, I positioned one diva kit above the gentleman’s right shoulder (left of the screen as you look at the image), attached a Flozier diffuser & a silver Louver to both focus and scatter the beam, and then used a Sunbounce reflector disc to fill in the shadows on his dark side. The barn-doors are so accurate, they totally clip the light into a very useable corridor (though i eventually covered them with the diffuser), and whilst it’s not a strobe sync product, i find the intensity of the beam so good that I can push down to lower ISOs without fatally compromising on shutter speed! There is very little need for post processing – pretty much everything is done in-camera!

Set against the backdrop of the City of London, I think the result is an imposing and important portrait that keeps the attention focussed on the piercing eyes!

Shot on a Canon EOS 5D mk3, 24-105mm lens at 105mm, f 5.0, ISO 100, 1/160 sec.

GRAND IDEA !!!

A recent trip to Stockholm gave me an opportunity to take a snap of a bathroom towel. It was really just another test of the 5d mk 3 sensor, as I hand-held the camera at 100 ISO and a slow-ish prime lens, yet still got this level of clarity from the shallow depth of field. That’ll do the trick 🙂

Shot on a Canon EOS 5D mk3, 50mm lens at 50mm, f 1.8, ISO 100, 1/8 sec.

GOODBYE OLD FRIEND ???

When I say ‘Goodbye’, I am talking about losing that old friend, my 50mm f1.8 lens. Its cost effectiveness as a wide prime lens has long been revered, but it is time to move onward and upwards to something altogether more exciting. This headshot portrait, taken as part of a publicity shoot for an aspiring musician MC XTREME, is the last I will likely ever take with that lens.

I’m ‘over it’, because it has been replaced in the kit bag by an all-singing, all-dancing 50mm f1.2 L ‘hyper-prime’ (as i like to call it) contraption. The quality of the two is almost incomparable. I look forward to posting what it can yield, but in the meantime, this will do for today 🙂

Shot on a Canon EOS 5D mk3, 50mm lens at 50mm, f 3.2, ISO 100, 1/50 sec.

SNOW WHEREVER I GO !!!

Just back from a very snowy Geneva. It was the perfect opportunity to test out my NEW 50mm f1.2 Canon prime lens’ weather sealing, completed with the customary UV filter. There will be another post which trials the lens itself (and that gorgeous bokeh!), but for now, it’s really the weather sealing that is being put through its paces!

In short, luckily it passed the test with considerable ease, and my new lens still works. The airport should take a lesson from Canon’s ability to deal with the elements! Full shots below.

Shot on a Canon EOS 5D mk3, 50mm lens at various f numbers, ISO of 100, and various shutter speeds.

                                                        

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PAVILLIONAIRE !!!

There is nothing so inspirational or stylish as Bauhaus design given space to demonstrate is ruthlessly minimal functionalism. On a recent trip to Barcelona, I made straight for Mies van der Rohe’s 1929 ‘Barcelona Pavillion‘, a seminal piece of architectural wizardry that even today, seems avant-garde. In it’s time, it was beyond its time, and I find the clearcut geometry, the travertine limestone, the marbled granite panelling, and of course those epic chairs, to be truly awesome subjects for the odd snap! In the above shot, I love the luxurious contrast of the rich foliage and the white floating roof.

Best efforts below (click here for more)!

Shot on a Canon EOS 5D mk3, 70-200mm lens at 70mm, f 5.0, ISO 100, 1/100 sec.

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GOOD MORNING LONDON !!!

A coastal trip cannot fail to yield some epic photo opportunities. This was taken off the coast of Dorset around 8 months ago, and I love the fusion of imposing clouds, the vast and furrowed oceanic expanse, sun & rays, bizarre colours, and all with a darker and more foreboding layer of swirl above. Capturing this wasn’t difficult. It just took a tripod, and the built-in spirit-gauge within the 5d mk3, as well as a finger to press click.

Makes me feel like I want to take on the world today!!!

Shot on a Canon EOS 5D mk3, 24-105mm lens at 105mm, f 8.0, ISO 100, 1/400 sec.

MY KIND OF SALAD !!!

Taking shots of some scrumptious-looking fruit salad for a nutritionist friend. I wanted to create the impression of a crisp, neat pile of vibrant fruit on an endless glazed white dish. When I couldn’t find a dish that was big enough, I used the floor of my garage instead.

Well, it’s actually just a dish, but you can’t see the back edge as the shallow depth of field has rendered it irrelevant! 😀

Shot on a Canon EOS 5D mk3, 24-105mm lens at 105mm, f 4.0, ISO 500, 1/60 sec.

ON THE TRAIN…

Just playing around with the camera in Primrose Hill on a wintery Saturday morning. When it’s this beautiful out, pleasant composition is hard to avoid (especially with that delicious fisheye barrel distortion), but the challenge in this shot was to balance the exposure from the glaring sun (which is doubled in intensity by the cool puddle reflection) and the activity of the two girls training. Canon 430 EX II Speed-light to the rescue! Exposure balanced, glare (relatively) neutralised, colour preserved… voila!

Shot on a Canon EOS 5D mk3, 15mm fisheye lens at 15mm, f 20, ISO 250, 1/200 sec.

WISH UPON A TREE …

Not my wish, but someone elses – nothing wrong with tree house communities, but it’s probably hard to get a photo studio set up in the trees so its not my thing! I loved the colourful background of the fairground which, thanks to the 8 circular aperture blades on this 24-105mm L-series lens, has given the shot a really pleasing background bokeh, which with the merest tweak to saturation, is pretty fruity-looking!

Shot on a Canon EOS 5D mk2, 24-105mm lens at 100mm, f 4.5, ISO 400, 1/125 sec.

DAYBREAK !!!

Here’s a twilight shot I took of La Manga, Spain, last year. Some images don’t need much by way of description, and I think my attempt would only devalue the serene tranquility of this scene of natural beauty.

INSTEAD, to accompany viewing this image, I’ll suggest listening to this overwhelmingly stunning piece of music – Ravel’s Daybreakfrom Daphnis & Chloe, once memorably described to me as ‘the single greatest musical orgasm’!

Enjoy!

Shot on a Canon EOS 5D mk2, 24-105mm lens at 105mm, f 7.1, ISO 400, 1/320 sec.

CORPORATE COUTURE !!!

I don’t know what it is about this shot, but it just connects with me. The old-school telephone handset, the retro rolodex in the background, the lead-out line of the long, empty desk… And the girl’s look is one of uncertain confidence. I didn’t have any lighting modifiers to hand ( 😦 ), so I just used the smallest F-number I could find, defined the foreground as much as possible, and figured that some tactical vignetting and adjustment-brushing would take care of the rest! A successful snapshot of the corporate day, if I do say so myself.

Shot on a Canon EOS 5D mk3, 24-105mm lens at 105mm, f 4.0, ISO 2000, 1/100 sec.

FLOWER POWER !!!

I had one of these after work today. It reminded me of this shot I took back in the care free days of summer (I remember it fondly, sigh). The wild flowers had a beautiful velvet-like complexion to their petals which seemed to both absorb and reflect the light simultaneously. By the time I took the shot, the can was empty – which then called for some post-production ‘straightening’ of the horizon!

Shot on a Canon EOS 5D mk2, 24-105mm lens at 65mm, f 4.5, ISO 400, 1/80 sec.

WAIT FOR ME !!!

The snow continues in London, and so does my journey through the hard-disk to find shots that warm me up! This is one of my favourite photos I’ve taken, as it seems to scream ‘Travel’. Captured on the cliffs of Portugal’s Algarve coast under the harsh light of the midday sun, the aspirational qualities that I take from this photo are so indulgent! I like the contrast of the sun-kissed skin (slightly tinted rouge by the light reflecting off the red ferrous cliffs beneath) against the deep blue of the Atlantic Ocean, and the comparison of the delicately hanging earring vs the muscular and imposing yacht in the background! But I can’t quite figure out whether she’s clutching her head in despair that her ride home has just departed, or because she’s having a relaxing stretch / sunbathe !

Shot on a Canon EOS 5D mk3, 24-105mm lens at 105mm, f 4.0, ISO 100, 1/1250 sec

STADIUM OF LIGHT ???

Built for the 1992 Olympics in Barcelona, the ‘Estadi Olímpic de Montjuïc’ (Olympic Stadium to you and I) stands alone atop a vast hill in Catalonia. What is strange though, is its relatively confined proportions compared to the cavernous olympic stadia of London 2012 and China 2008. Not only is it significantly smaller  (56,000 capacity vs. 80,000 for the London Olympic Stadium in Stratford), it is also tragically run down. Visiting after the national elation of London 2012, the promise of an ‘Olympic Legacy’ couldn’t have seemed any hollower after seeing the desolate and eerie absence that runs through this place.

I thought this shot captured the contrast between a once-vibrant ring of colourful emotion, and a place suffering the encroaching decay of being forgotten (represented by those ominous clouds above). If I were to have had the tripod and the ultra-wide angle (or fisheye) lens with me, a better shot would have invariably come about, but this will tick the box 🙂

Shot on a Canon EOS 5D mk3, 24-105mm lens at 24mm, f 22.0, ISO 100, 1/15 sec.

TESTING GOSPEL…

This afternoon, I was at one of London’s best surviving jazz clubs, the legendary ‘606 Club‘ in deepest Chelsea (yah). Its stage has been graced by some of the genre’s finest since the late ’70s, so it’s always a pleasure to get close to the action in this very intimate venue. The subject of this shot is Tracey Campbell, the lead singer of the Gospel Jazz band that was playing, and the owner of an impossibly-accurate, tremendously powerful voice, captured in front of the club’s iconic backdrop, bisected by the piano’s brass-edged lid.

Apart from a chance to get some cool artistic shots of artists being artistic, I considered this my first proper road-test of the EOS 5D mk 3’s supposedly ‘exceptional light sensitivity’. Jazz clubs are dark at the best of times, but 606 has truly awful lighting – uneven, hot, patchy and ultimately unforgiving! With the proprietor preferring ‘no flash’, it was a tough ask! BUT I think the sensor has demonstrated why there’s a £1,000 step up between the mk 2 and the mk 3. Forgetting the autofocus upgrade and the video superiority, the just-invented ‘noise-to-light-sensitivity’ ratio looks awesome. Manageable noise, good contrast performance, no sensor blips, and a great preservation of detail. Victory – I will never again fear a venue for its lighting!

Shot on a Canon EOS 5D mk3, 70-200mm lens at 118mm, f 4.0, ISO 6400, 1/50 sec.

ESCAPE FROM SIBERIA !!!

Today, it wasn’t like this. Tomorrow, it won’t be like this. Tomorrow, it will be Siberian, more like this if I am to believe the BBC. To escape London’s attempt at the Tundra, I thought I would cast my mind back to the rooftop of the Hotel Arts in Barcelona, in October of 2012, when I took this shot. Warm morning air was radiating off the sea, rising into the atmosphere, creating those unique and cavernously dramatic cumulonimbus formations, with violent flourishes here and there! The beauty, for me, is the contrast between the tranquility of the illuminated horizon and the menacing profile view of those ocean rains, with the chaotic storm elegantly unfolding into the atmosphere – whilst all the while, a passenger jet wafts majestically above the crest. Please note, I have not altered the colours – on that morning in Barcelona, the clouds really were orange and blue! What a warming escape from the blizzard!!!

Shot on a Canon EOS 5D mk3, 24-105mm lens at 102mm (whoops), f 4.0, ISO 100, 1/3200 sec.

LUCK OF THE DUCK !!!

On a recent photoshoot in Regents park, I came across this lone duck having a good look around for some lunch. I love how the branches dip in and out of the surface like fingers, and how the duck almost looks hemmed in by them! Naturally framed by thin twigs and foliage etc, leaving me with nothing to do but press GO. I fired this off at maximum zoom on the 200mm telephoto, because I wanted to maximise both feathers and shallowness in depth-of-field!

Shot on a Canon EOS 5D mk3, 70-200mm lens at 200mm, f 4.0, ISO 1000, 1/160 sec.

CAN’T HELP BUT LOOK UP !!!

Yesterday, I went to the Natural History Museum to see dinosaurs with my nephew (yes, I’m sure a customary post of the roof will follow at some point). It was a series of vast chambers which reminded me somewhat of a  less-pompous version of Le Louvre. And then, as I took in the majestic Brontosaurus skeleton in the main auditorium, natural light cascading down on it from on high, surrounded by ornate walls paved with countless ancient artefacts, I thought of this picture I shot at the Louvre itself. There are evident similarities, whilst only the direct subject matter differs. The one niggle that slightly disappoints me here is that I couldn’t capture the final corner of the roof pattern up top (and I was tucked right up in the edge of the chamber to maximise space); if only I’d spent a little more on the 16-35mm lens rather than my 17-40mm – the extra millimetre might just have been wide enough!!!

Shot on a Canon EOS 5D mk2, 17-40mm lens at 17mm, f 5.6, ISO 6400, 1/400 sec.

GONE SAILING…

Some have commented that my writing style is very prose-like, so to keep them guessing, I’m going to mix it up in this post.

In this shot, I have captured a girl on a boat. There is some rope, which is coiled – badly. The floor is white. The walls are white. Her trousers are almost white. Her shoes are not.

I have now run out of things to say about this post. Photo look nice.

Shot on a Canon EOS 5D, 24-105mm lens at 24mm, f 11, ISO 400, 1/250 sec.

INNOCENT SMOOTHIE !!!

I entered this shot into a competition today not because it redefines photography as you know it, but because I just wanted to share it with someone, anyone! It’s my niece, sub 1-year-old, just staring at the great big world, incomprehensibly. In that moment, I snapped her wearing the utter puzzlement that I so often feel! She is just so confounded! Whowhatwhere ?!?!? THAT is me at 5:02 every morning :-D, and I LOVE that she gets it too!

Oh and she also looks really innocent, and adorable and blah blah etc.

Shot on a Canon EOS 5D mk 2, 24-105mm lens at 105mm, f 5.6, ISO 6400, 1/125 sec.

 

‘THE BIG PALACE’…

… or more properly, le Grand Palais, just off the Champs-Élysées in Paris, France. I was there  roughly 6 months ago, in uncomfortably hot conditions during the day, and surprisingly chilly extremes during the evening. As I wandered along, completely unprepared (other than happening to have a camera strapped to my back), I stumbled upon this outrageously majestic, fabulously backlit piece of Gallic masonry, with a cold frost in the air to illuminate the vapours of darkness.

It. Needed. Photographing!

I wanted to go in tight for this shot, to capture the truly imposing nature of the architecture, but that would have needed an inhumanly steady hand. With no handy tripod, there was only one option; whack up the ISO, zoom to max, shoot at f4, & hope for the best from my shutter speed! By so doing, I’d accepted that there’d be inescapable noise, especially since this was my inferior EOS 5D mk 2, which doesn’t handle the dark so well. The result is an image which excites the romantic within me for its lighting 🙂, yet disappoints the perfectionist within me for its grain 😦  The ideal here would be f20 –> ISO 100 –> tripod –> deploy. But ‘sacrifices must be made’. N.b. the two specks of white in the sky are in fact prominent stars, not sensor catastrophes, and I’m actually quite fond of them, after much deliberation!

Shot on a Canon EOS 5D mk 2, 24-105mm lens at 105mm, f 4.0, ISO 3200, 1/13 sec.

ALL ON COURSE !!!

Back at the start of August, I was taken to Stoke Park (famous for its role in the classic Bond film ‘Goldfinger’) for a cheeky round of golf. It had been raining solidly for 3 days beforehand, and even up to that very morning, it was apparently still monsoon season in Buckinghamshire. It promised little, other than me embarrassingly hacking-up a classic piece of british heritage. Indeed on arrival, it was still pretty hairy – BUT by the time we’d eaten breakfast (at the exceptional Orangery), it had become a very seasonal ‘August in Britain’! Perfect for some snaps, so I broke out the camera.

I took the main shot of this rank of ‘Club Cars’ as we walked towards the tee box on the 1st. It is my favourite shot of the day, as despite evidence of recent rain littering the picture, it just makes me want to walk into one of those inviting buggies and tear around the course! However, because their iconic club house was wearing scaffolding – some sort of alleged ‘renovation’ – I took the below additional shot in aggressive +/-3EV HDR format, to vent my frustration at the not-quite-picture-perfect nature of the building 🙂

The main image above was shot on a Canon EOS 5D mk 3, 24-105mm lens at 24mm, f 8.0, ISO 100, 1/160 sec.

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LOOK OUT (TO SEA) !!!

Exactly a year ago today, I took this shot on the paradise-like beaches of the Caribbean. On this grey, murky day in London, a monochrome edit of this shot – which in no way detracts from the drama of the nimbo-stratus clouds (as I’m informed they are) in the background – seems an appropriate tribute. I am especially fond of the way this young lady cuts through the horizontals of the waves with a strong vertical stance that is slightly swept in the same direction that the wind has swept the clouds. Or something like that…

Nice swimwear too (Vitamin A by Amahlia Stevens)

Shot on a Canon EOS 5D, 24-105mm lens at 84mm, f 11.0, ISO 400, 1/500 sec.

SKY vs SEA; CLEAR vs CLOUD !!!

The sky in London this evening was beautiful, a proper mix of conditions. It drew my mind to this picture I took earlier this summer in Ibiza. I was on a boat just prior to sunset, and there was suddenly an unreal convergence of the ominous storm front, and the gorgeous day that had preceded it. Set against that, the telltale hump-back formation of the Ibizan mountain ‘jetty’, and I think it makes for a good snap!

Shot on a Canon EOS 5D mk 2, 24-105mm lens at 24mm, f 10.0, ISO 100, 1/200 sec.

SO MUCH WHITE SPACE …

                                                       

OK. Tested out my heavy-duty Lastolite black studio backdrop in the previous post, SHOOTING (FUTURE) STARS. Unsurprisingly, here’s a test of the reverse side, the WHITE backdrop. To do this, I needed someone to stand in front of it – a photo merely of a white background, whilst abstract, is pretty boring. Fortunately, Ingrid here wandered into the shot, just in time!

As an experiment, I took these shots with perhaps the cheapest lens that Canon makes, the 50mm f1.8. No USM, no IS, no L-series optics, coatings or heavy glass; just 130g of ‘toy’ lens. The results show to me that whilst the cheapest, it is possibly their best value for money (c.£90 !!!) given the sharpness of image and decent low-light performance. Remarkable achievement Canon, bravo. I still dream of buying your 50mm f 1.2 one day though…

Shot on a Canon EOS 5D mk 3, with a 50mm lens, at f 3.0, ISO 200 for all, 1/200 sec.

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NEW YEAR, NEW WEATHER !!!

The view from my flat this morning, on a perfect New Year’s morning. Nothing more to say on the matter, other than to wish you a strong 2013!

Shot on a Canon EOS 5D mk 3, 15mm fisheye lens, f 7.1, ISO 100, 1/200 sec.

SHOOTING (FUTURE) STARS !!!

                    

Kilbey-3-2                    Kilbey-1-3

Yesterday, I had the good fortune to try out my new heavy-duty Lastolite vinyl studio backdrop for a portrait shoot with an extremely talented up-and-coming musician, Michael Kilbey, who was in search of ‘some iconic shots’ – a daunting, but exciting brief. I decided that rather than traditional high key ‘white’ look, a more moody low-key black backdrop would suit his aim to represent the emotional angst of his music. The studio shots were accompanied by a pretty basic 2-point Elinchrom lightbox setup, my trusty ‘Colour Burst LED Changer’ DJ light (lol), and the ever-crucial reflector disc. No assistant (girlfriend) for this shoot meant some nimble manipulation of the disc, WHILST pressing click (thankfully we live in the age of image stabilisation!). DEPLOY MULTI-TASKING! Ventured out to find some idiosyncratic ‘London’ / ‘moody’ locations to shoot against too armed with nothing but a 70-200mm f4, a 24-105mm f4 and the awesome 15mm fisheye…

I (and thankfully, he too) think the results are strong – the studio backdrop passes the test, and for monochrome shots (part of the brief), it is ideal. Handy benefit? Thick durable vinyl is WIPE CLEAN!! Big win. Click ‘MORE‘ for larger images…

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HIGH ATOP THE SNOWY TREES…

I shot this whilst returning from a very recent ski expedition to the wonderful Val D’Isere, in the Savoie region of the French Alps. Aside from epic skiing, with practically nobody on the slopes, I was treated to this utterly silent and eerie mountain scene. Mystical descending fog mixed with freshly-dusted snowy Conifers made for a wonderfully textured canopy of trees. There was also a band of darkness towards the lower third of the shot, caused by the sharp fall-away in the relief of the land, which beautifully balanced the fog in the upper third. I absolutely love the alpine air, come sun OR snow, and I think this shot captures the magical solitude of the environment quite nicely indeed!

Shot on a Canon EOS 5D mk 2, 24-105mm lens at 50mm, f 10.0, ISO 200, 1/125 sec.

A CHILLED DOG …

I don’t really care too much for dogs, but this one I LOVED. She was so peaceful, loyal, respectful and yet energetic (when the time was right). I thought this shot captured that serenity quite nicely if I do say so myself! Taken on a beach in the Carribbean.

Shot on a Canon EOS 5D mk 2, 24-105mm lens at 105mm, f 6.5, ISO 400, 1/200 sec.

SNOWY SWEDEN !!!

Took this early-morning shot out of my hotel window, looking back over towards the Swedish Royal Palace, surveying the Port area before the ferries took off for the day. If you’re wondering why there’s no sign of life, I shot this as a long-exposure HDR capture, +/-3EV, with an ND8 filter helping me block out some of the bright Swedish snow-reflection! Temperature was about -5c here, but the wind chill was far lower. Inspiring landscape, can’t wait to go back!

Shot on a Canon EOS 5D mk 3, 17-40mm ultra-wide angle lens at 22mm, f 22, ISO 100, 6.0 sec, HDR +/-3EV.

                        

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ON THE UNDERGROUND !!!

In Stockholm, it’s snowing like mad, hands too cold to take out the supposedly ‘weather-sealed 5d mk3’, but i bought along the ‘waterproof’ camera bag to test it all out! Escaping the vertical snow, ducked into this ‘metro’ station, which is basically a barely disguised ravine tunnel!!! The bag was right, Manfrotto are good to their word, all the kit was warmer and dryer than me… then i looked up, and thought ‘the light is flattering, the lines are interesting, the background is dramatic and the general scene would be massively enhanced by a fisheye perspective – 15mm to be exact! More to come…

Shot on a Canon EOS 5D mk 3, 15mm fisheye lens at 15mm, f 2.8, ISO 2500, 1/40 sec.

DEEP BLUE (MARLIN) SEA !!!

DEEP BLUE MARLIN SEA !!!

I was staring out the window at the -2 degrees London skyline during a meeting today (multitasking obviously), and I counted precisely the same number of clouds that are in this picture I took of Blue Marlin in Ibiza a couple of months ago. I had to look very hard for the cloud.

I particularly like how the only evidence of civilisation is to be found in deserted yachts, skidoos and a solitary pair of sandals on the rocks. Not a single person in sight! 24mm was plenty wide to do justice to the jetty’s imposing path, cutting through the lunar-style boulders into the ‘fresh’ Med waters! Ahhh dream of warmth!

Shot on a Canon EOS 5D mk 3, 24-105mm lens at 24mm, f 4.0, ISO 400, 1/6400 sec.

SNOWY SWEDEN…

SNOWY SWEDEN...

Heading out to Stockholm on Friday – this is VERY exciting. Took this shot of the ‘old town’ there last summer, and massively looking forward to seeing what it looks like under 3 feet of snow (might play havoc with exposure settings)! Will be a huge novelty to see how public transport can still WORK with the right type / wrong type / ANY type of snow! Boris, please take note 🙂

Shot on a Canon EOS 5D mk 2, 24-105mm lens at 24mm, f 11.0, ISO 400, 1/250 sec.

CRISPY IN LONDON !!!

This has been a gorgeous crisp day in sunny London – perfect opportunity to test-drive my new ‘superleggera’ 70-200mm f4.0 L-series USM. So, went for a wander with ‘the muse’, drank tea, people watched, and took some snaps. Here are the ‘results’.

All shot on a Canon EOS 5D mk3, 70-200mm lens at various focal lengths, various apertures (usually f 4.0 to maximise bokeh), and various ISOs. Specific stuff!

                     

                     

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HANDY ANDY !!!

HANDY ANDY !!!

Love this shot! I snapped Andy Murray looking (characteristically) utterly determined during a match at Queens Club, before any of his Olympic / Grand Slam 2012 breakthroughs came about. The look on his face is exactly how I want to deal with my Saturday. This was also just 2 captures before the mirror on my 5D just fell out – triggering urgent upgrade!!!

Shot on a Canon EOS 5D, 100-400mm lens at 400mm, f 8.0, ISO 400, 1/500 sec.

SECRET SQUIRREL !!!

SECRET SQUIRREL !!!

Snapped just before he scurried off into the undergrowth of London’s Regent’s Park, this cheeky little squirrell looked pretty majestic with the bushy tail etc etc. Or it’s just a dirty rodent. Not sure which.

Shot on a Canon EOS 5D Mk II, 24-105mm lens at 105mm, f 4.0, ISO 800, 1/125 sec.